Читать книгу Rouge Passion онлайн | страница 72
When she returned the next morning, she stretched herself on her couch under the awning and arranged her draperies with the greatest decorum about her ankles.
‘Ignorant and poor as we are compared with the other sex,’ she thought, continuing the sentence which she had left unfinished the other day, ‘armoured with every weapon as they are, while they debar us even from a knowledge of the alphabet’ (and from these opening words it is plain that something had happened during the night to give her a push towards the female sex, for she was speaking more as a woman speaks than as a man, yet with a sort of content after all), ‘still — they fall from the mast-head.’ Here she gave a great yawn and fell asleep. When she woke, the ship was sailing before a fair breeze so near the shore that towns on the cliffs’ edge seemed only kept from slipping into the water by the interposition of some great rock or the twisted roots of some ancient olive tree. The scent of oranges wafted from a million trees, heavy with the fruit, reached her on deck. A score of blue dolphins, twisting their tails, leapt high now and again into the air. Stretching her arms out (arms, she had learnt already, have no such fatal effects as legs), she thanked Heaven that she was not prancing down Whitehall on a warhorse, nor even sentencing a man to death. ‘Better is it’, she thought, ‘to be clothed with poverty and ignorance, which are the dark garments of the female sex; better to leave the rule and discipline of the world to others; better be quit of martial ambition, the love of power, and all the other manly desires if so one can more fully enjoy the most exalted raptures known to the humane spirit, which are’, she said aloud, as her habit was when deeply moved, ‘contemplation, solitude, love.’
‘Praise God that I’m a woman!’ she cried, and was about to run into extreme folly — than which none is more distressing in woman or man either — of being proud of her sex, when she paused over the singular word, which, for all we can do to put it in its place, has crept in at the end of the last sentence: Love. ‘Love,’ said Orlando. Instantly — such is its impetuosity — love took a human shape — such is its pride. For where other thoughts are content to remain abstract, nothing will satisfy this one but to put on flesh and blood, mantilla and petticoats, hose and jerkin. And as all Orlando’s loves had been women, now, through the culpable laggardry of the human frame to adapt itself to convention, though she herself was a woman, it was still a woman she loved; and if the consciousness of being of the same sex had any effect at all, it was to quicken and deepen those feelings which she had had as a man. For now a thousand hints and mysteries became plain to her that were then dark. Now, the obscurity, which divides the sexes and lets linger innumerable impurities in its gloom, was removed, and if there is anything in what the poet says about truth and beauty, this affection gained in beauty what it lost in falsity. At last, she cried, she knew Sasha as she was, and in the ardour of this discovery, and in the pursuit of all those treasures which were now revealed, she was so rapt and enchanted that it was as if a cannon ball had exploded at her ear when a man’s voice said, ‘Permit me, Madam,’ a man’s hand raised her to her feet; and the fingers of a man with a three-masted sailing ship tattooed on the middle finger pointed to the horizon.