Читать книгу All Quiet on the Western Front / На Западном фронте без перемен. Книга для чтения на английском языке онлайн | страница 32

With the first rumble of shellfire, one part of our being hurls itself back a thousand years. An animal instinct awakens in us, and it directs and protects us. It is not conscious, it is far quicker, far more accurate and far more reliable than conscious thought. You can’t explain it. You are moving up, not thinking of anything, then suddenly you are in a hollow in the ground with shrapnel flying over your head; but you can’t remember having heard the shell coming or having thought about taking cover. If you had relied on thought, you would have been so many pieces of meat by now. It was something else, some prescient, unconscious awareness inside us, that threw us down and saved us without our realizing. But for this, there would long since have been not a single man left alive between Flanders[92] and the Vosges[93].

We set out as soldiers, and we might be grumbling or we might be cheerful – we reach the zone where the front line begins, and we have turned into human animals.

We move into a rather scrappy wood. We pass the field kitchens. Just beyond the wood we climb down from the trucks and they go back. They will be picking us up again before first light tomorrow.

Mist and smoke from the artillery is chest-high over the meadows. The moon is shining on it. Troops are moving on the roadway. The steel helmets give a dull reflection in the moonlight. Heads and rifles stick out from the white mists, nodding heads and swaying rifle barrels.

Further on, the mist clears. The heads turn into whole figures – tunics, trousers and boots come out of the mist as if from a pool of milk. They form into a column. The column marches, straight ahead, the figures become a wedge, and you can no longer make out individual men, just this dark wedge, pushing forwards, made even more strange by the heads and rifles bobbing along on the misty lake. A column – not men.

Light artillery and munition wagons move in from a side road. The backs of the horses shine in the moonlight and their movements are good to see – they toss their heads and their eyes flash. The guns and the wagons glide past against an indistinct background like a lunar landscape, while the steel-helmeted cavalrymen look like knights in armour from a bygone age[94] – somehow it is moving and beautiful.