Читать книгу How to Study and Teaching How to Study онлайн | страница 42

This sort of trifling? Even had you skill

In speech—(which I have not)—to make your will

Quite clear to such an one, and say, "Just this

Or that in you disgusts me; here you miss,

Or there exceed the mark"—and if she let

Herself be lessoned so, nor plainly set

Her wits to yours, forsooth, and made excuse,

—E'en then would be some stooping; and I choose

Never to stoop. Oh sir, she smiled, no doubt,

Whene'er I passed her; but who passed without

Much the same smile? This grew; I gave commands;

Then all smiles stopped together. There she stands

As if alive. Will't please you rise? We'll meet

The company below, then. I repeat,

The Count your master's known munificence

Is ample warrant that no just pretense

Of mine for dowry will be disallowed;

Though his fair daughter's self, as I avowed

At starting, is my object. Nay, we'll go

Together down, sir. Notice Neptune, though,

Taming a sea-horse, thought a rarity,

Which Claus of Innsbruck cast in bronze for me!

How much the word last in the title of this poem suggests! Note how many, and how different, are the topics in the last dozen lines. Yet there is no paragraphing throughout. The page should show things as they exist in the Duke's mind, and he runs from one thought to another as if they were all on the same plane, and closely related.

Was there ever a more vain, heartless, haughty, selfish, bartering gentleman-wretch? Note how single short sentences even surprise one by the extent to which they reveal character. Whole volumes are included between sentences. One can scarcely read the poem through rapidly; for it seems necessary to pause here and there to reflect upon and interject statements.

There is no doubt about the need of extensive supplementing in the case of adult literature. Is that true, however, of literature for children? Is not this, on account of the immaturity of children, necessarily so written as to make such supplementing unnecessary? For a test let us examine Longfellow's The Children's Hour, which is so popular with seven- and eight-year-old boys and girls.